Blind is a remake of a 2011 Korean film. It stars Sonam Kapoor in the lead role. The film is directed by Shome Makhija. The film is a classic story of redemption. It shows a broken woman trying to save her husband from his dark fate. It is also beautifully shot.
The Story
It’s a film about redemption, but it also happens to be the story of a man who lost his sight. And that’s a tale worth telling. Long before the Duck Dynasty clan became a cultural phenomenon, Phil Robertson married Kay and started a family. But the demons of his past threatened to tear them apart. This film chronicles his struggle to conquer the shame of his past and find redemption in Jesus Christ.
Purab Kohli is a solid villain and McDermott has an imposing presence as well. But the script often reduces Suzanne’s blindness to a plot device, treating her like a service dog rather than a woman with her own independent thoughts and emotions.
It would have been nice if the yes movies had taken the time to dig deep into the mental state of its unhinged killer. After all, the web series Dahaad expertly revealed its antagonist’s motivations and trigger points, keeping the audience engaged right to the end.
The Cast
The film’s cast is solid, especially Amela Eva as Kay Robertson. The actress gives a believable performance as her character’s innocence is tested by Phil’s descent into alcoholism and his abusive rage.
Demi Moore and Dylan McDermott are strong as high-stakes power couple Mark Dutchman and Suzanne, respectively. Their character’s chilly, dutiful trophy wife and ego-driven wheeler-dealer dynamic is intriguing.
Sonam Kapoor Ahuja is also a joy to watch as Gia Singh, a police officer who is blinded in the line of duty. The movie is a thriller, but the thrill isn’t that hard to find. The soundtrack is also good. Its ethereal vocals accentuate the emotions of the story and bring it to life. But the music doesn’t have the punch of the chase scenes, or the tension of the suspenseful moments. Ultimately, the film loses its momentum and falls flat into a sea of rudderless mediocrity.
The Visuals
The film’s gloomy tone is reinforced by cinematographer Gairik Sarkar’s use of grey, while the music composer duo of Clinton Cerejo and Bianca Gomes help to establish a moody atmosphere. The story is also brought to life with some impressive camera work.
The movie is based on a 2011 Korean thriller of the same name. The movie follows a blind cop’s quest for redemption as she pursues a serial killer. While there are some twists, the plot is largely predictable and feels like old wine in a new bottle.
The drama is a true testament to the power of redemption. Despite the troubles that nearly tore the family apart, Phil Robertson and Miss Kay found strength in their faith. This is a must-see for any Duck Dynasty fan. However, the film suffers from some overt sentimentality and condescending attitudes about racial prejudice and economic barriers. McDermott is well-suited to his role, but he can’t overcome the material’s blind spots.
The Final Words
The story of a psycho killer on the prowl and his saviour who is blind will always appeal to thriller fans. But the film never peaks enough to make you invested for the full two hours. Besides, the pacing is slow and even though Sonam Kapoor does a good job, she cannot carry the film on her shoulders alone.
The cat-and-mouse game that is shown in the film could have been better if the director would have stepped on the accelerator. Also, the editing could have been done in a better way to keep the viewers engaged.
Lillete Dubey does a decent job but is overshadowed by the main protagonists. Shubham Saraf also gives a good performance but isn’t given much to work with. The highlight is Gairik Sarkar’s cinematography which adds value to the film. He captures the beauty of Glasgow and does not make it look boring even with repeated night shots. The soundtrack is okay but nothing to write home about.